One of the major assets of Phuket as a flourishing vacation resort is its abundance of diving destinations both in its vicinity and off islands several hours boat-ride away, all offering a fantastic underwater world of tropical fishes and coral formations, so exotic and colorful. From Phuket, all sorts of diving tours are organized lasting from half a day to 2 weeks. The nearest are sites off the west coast where you can explore soft and hard coral reefs, with a large variety of tropical marine life. There are good close-up photo opportunities with dives up to 35 meters. Much more popular are trips to islands lying to the south and east of Phuket about 2 hours away by motor boat, including Ko Racha, Shark Point and Ko Dok Mai , Ko Phi Phi where you can see white-tip sharks, stingrays and moray eels besides colorful reef fishes, Near Phuket, on Thailand's west coast from Ranong down to Krabi are a large number of excellent dive sites (ex. Similans Island, Surin Island, Tarutao Island). However, the area is sometimes tricky and can be difficult during the southwest monsoon from June to November. Good sheltered water is found around the island at all times of the year. Spear-fishing though not encouraged, is fair to good down to a depth of some 15m (49ft). Thereafter, coral mostly run out and give way to a plain, fairly flat, sandy ocean bottom between 18-36m (60-120ft). The reefs are very colorful and picturesque and are particularly suited for snorkeling and photography. As Phuket's popularity among divers of all nationalities has increased, so has the number of dive sites. Nowadays, regular trips lasting up to two weeks are made to distant island groups in the Andaman Sea. Many of them are uninhabited and absolutely pristine, with dive sites to rival the best in the world . In Phuket, half day tours are available to the west coast where a short trip by motor boat takes the diver to the coral reefs. By far the most popular tours, however, are the full day trips to the islands off Phuket's south and eastern coasts. These islands include Ko Racha, Shark Point, Ko Dok Mai and Phi Phi islands. There are so many dive schools and diving operator in Phuket, all staffed with qualified instructors who are members of PADI or NAUI and provided with all sorts of modern equipment. Dive Site Ko Racha (Racha Islands), to the south of Phuket some 2 hours by motor boat, has dives down to 30m (98ft) and a visibility range of 20-40m (65-131ft). In addition to the excellent visibility Racha's attractions include huge rock formations, sloping coral reefs and steep drop-offs. From January to March manta rays and whale sharks can occasionally be seen, in addition to varied tropical marine life. Shark Point and Ko Dok Mai, approximately 1.5hrs east of Phuket by motor boat, are beyond doubt two of the most popular dive sites in the area.
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CMAS Diving Courses Diving Equipment Calypso Divers Dive Collection Dive Master Co.,Ltd. Water Sport Shop Underwater Photography By : Ashley J Boyd Compared to land photography, the success rate in underwater photography is relatively low . So don't expect too much from your first attempts. Even a veteran will probably have a maximum success rate of only 10-15%. Ninety percent of the exposures taken may be less than satisfactory. Why Should this be so? A diver first; a photographer only second The most important difference between surface and underwater photography is that, underwater, you have to be a diver first and a photographer only second. You can nerver devote 100 percent of your attention to the photography. To begin with, you have constant concerns about your life-support system. Time, pressure and depth limits need constant monitoring. Especially on deep dives, it could be dangerous to lose track of how long you have been underwater and how deep you have gone. Caught up in the fascination of your work, you risk running out of air or getting the bends -- the very painful and often fatal penalty for exceeding time or depth limits. In the meantime, you also have to keep track of your buddy who, according to a cardinal rule of safe diving, should never be out of your sight. (And you have to find a diving companion in the first place who 's patient enough to hang around for 10 or 15 minutes at a time while the photographer sets up a shot) Composition Getting the precise composition you want may not be easy. Underwater, everything appear closer than it really is (objects are magnified 25 percent), and estimating distances can be tricky. At the same time, the mos widely available and affordable underwater camera systems are not SLR, so you have to deal with parallax error. This effect is exaggerated, furthermore, bye the gap between the diver's facemask and the camera eyepiece. Beyond that, visibility is often poor, and flashback from sediment and plankton will produce roughly the same effect on film as you get driving with your high beams in fog. Even when initial conditions are good, other divers in the area may stir up sediment where they don't actually intrude arms and fins into your carefully framed composition. Equipment failure Given all the equipment you haveto rely on, there are lots of ways things can cock up. If the batterties for your flash go flat, for instance a minor thing in itself you have to return to surface to change them. And it's often very difficult to get back down to the same spot again to finish your shot, even assuming circumstances have remained the same in your absence. There 's no such thing as putting in a new film or changing a lens underwater, either. Consequently, you may want to carry two cameras on a dive, perhaps one with an 80mm and another with a 15mm lens. Except, that is, where it's too much trouble to manage both cameras, for instance where there is a strong currents. Plus, of course, you can have problems with flooding camera or lenses. You should always test your camera in shallow water or a pool before taking it on a dive. better still, check it for bubles in a rinse tank; if it does flood, then, it will only be with fresh water. The use of models underwater A human figure can add much interest to a shot, but most inexperienced underwater model freeze up the moment they realize a camera is pointed at them, hanging there in the water looking ungainly, much like some thing you wouldn't want in your photo. Flashes Because as you go deeper more and more of the colour spectrum is absorbed, with reds, yellows, and oragnes going first, you should use a flash in all but the shallowest sunlit waters. (If you are not using a flash, then the best hours for underwater photography are generally 10.00 am till 2.00 pm, when the sun is at it highest. Lenses Judge the prevailing conditions carefully before diving, and try to anticipate what sort of shots you want. Unlike with surface photography, you can't change lenses while shooting. Most divers will also find it awkward to carry two camera bodies, each equipped with a different lens. Your decision will be easier if you know what type of site it is. Does an interesting bottom photography offer opportunities for scenic shots? What sort of marine life might you expect to encounter? Does most of the interest lie in the type of coral growth found there, for example? Or are there more dramatic possibilities? It would be a shame, for instance, to run into a whale shark when all you had with you was a close-up lens. It can also be important to know what sort of underwater visibility there is; if the water is really turbid, close-ups may be all that are practicable. If you decide you want scenic shots or people pictures, however, then you 'll opt for a wide-angle lens. Film ASA 100 is a good all-round film, reasonably fine-grained and widely available. ASA 64 and ASA 50 are more fine grained still, and perhaps better for professional use. Though most shops in Thailand don't stock it, particularly outside Bangkok,. ASA is often recommended for macro photography in particular, Kodak is now producing a special ASA 50 underwater film which is highly recommended. It enhances the warmer colours while reducing the blue-green effec; but you have to use a blue filter with it. Advantages of night photography over day On the one hand, you find certain creatures that are hard to photograph in the daytime become more accessible at night, many crustaceans and molluscs among them. At the same time, more hard corals extend their polyps in the search for plankton, which adds colour to underwater scenes. |
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